August 11, 2025
They say when you marry into a Southern family you won’t know what to expect. Who said that? Maybe just me. But the LP record collection—the music of Beethoven, Mozart, Bach, Haydn, Lizt, Verdi, Chopin, Paganini, Rachmaninoff, Rimsky-Korsakov, Tchaikovsky—now is sitting in a cabinet in our living room. It was Laura’s music. That I didn’t expect.
My wife Sandy’s mother, Laura French Harper, grew up in Cowan in Franklin County, in south-central Tennessee, near the Alabama line. Cowan did not and does not look at all like Andy Griffith’s Mayberry. There’s the one main street, a post office, a railroad museum, a couple of churches. There’s no supermarket. There are the out-of-business stores and the shut-down shoe factory.
There’s not much work, and hasn’t been for years. Young people have moved to Nashville or Chattanooga or Huntsville, or at least Winchester, the county seat. Residents are mostly retired people.
I look back in time, more than 90 years. Life in small Southern places was hard, the Depression made it harder. Laura’s father, Sandy’s grandfather, left home looking for work, for a while he was in Alaska. Like a lot of young people in that time and place, Laura didn’t finish high school. She dropped out and picked cotton in fields outside town.
William, her future husband, left Winchester Central High School (now Franklin County High) at 17, before graduating, to join the Navy. He and Laura got married in 1947. He was 20, she was 19. They settled in Cowan.
They had six kids, three boys and three girls. William worked as an electrician, putting in long shifts at a local plant and picking up extra work around the county. Laura stayed home and kept house and cared for the kids, which is what was done back then.
The years flew by. The six kids grew up and left home, the boys joined the service. The two older girls, Lynn and Kay, moved to Nashville, got jobs, and got married. Sandy graduated from Middle Tennessee State and moved to Nashville, where we met. Soon Laura was a grandmother, eventually a great-grandmother.
In the 1950s Laura tuned the living-room radio to WZYX in Cowan for the twanging, forlorn tunes of the country music pioneers, Hank Williams, Roy Acuff, Ernest Tubbs, and so on. As a Baptist, she loved gospel pieces like “Old Rugged Cross.” When she left the house the kids would switch the radio to a pop music station, then quickly turn it back when mom returned. To this day Sandy won’t listen to country.
But then at some point the kids started hearing something else: the sweet, majestic, soaring music of Beethoven, Rimsky-Korsakov, Tchaikovsky. Lynn, the oldest daughter, says Laura began playing classical music when she, Lynn, was about 10. Sandy would have been six.
Time overcomes memory. Sandy only guesses how her mother grew to love the great composers. By pinching pennies Laura found the dollars to purchase the records, probably by mail order or at flea markets. She bought recordings of music’s immortal works: Dvorak’s Carnival Overture Op.92; Tchaikovsky’s Symphony No. 4 in F-Minor, 1812 Overture, and Slavonic March Op. 21; Beethoven’s Concerto No. 5 in E-Flat Major and his nine symphonies; Chopin’s Preludes and Waltzes; Verdi’s Requiem, dozens more.
The recordings include performances by the London Symphony Orchestra, Vienna Philharmonic Orchestra, New York Philharmonic, Concertgebouw Orchestra of Amsterdam, Berlin Philharmonic, and artists including Arthur Rubinstein, Van Cliburn, Leonard Pennario, conductors Andre Previn, Leonard Bernstein, Herbert Von Karajan, Kiril Kondrashin, others.
At certain hours of the day in the Harper household, the guitar and fiddle plucking on WZYX and the Grand Ole Opry broadcast on WSM-Nashville went silent, replaced by the soaring sound of Beethoven and other great artists.
When we met 48 years ago, Sandy invited me for dinner. When I arrived the sweet sound of Rimsky-Korsakov’s “Scheherazade” filled the apartment. Her mom’s love of beautiful music stayed with her.
In the early 1980s the plant where William worked closed, the company moved to Cape Girardeau, Missouri. William wouldn’t relocate to keep his job. He and Laura sold the Cowan home and moved to Nashville.
When our son Michael began studying piano in elementary school, Laura gave him a stack of classical LP records. I didn’t pay much attention. Michael bought some of his own, and listened to them on an old turntable into his high school years. He went off to Johns Hopkins, then Penn for grad school. The music went silent. The record collection remained in a box in his room.
After grad school Michael settled near Philly. We shipped the piano to his home. Occasionally we used an old turntable, a gift from a neighbor, to play movie soundtracks, pop, sometimes country, Willie Nelson, Marty Robbins, that kind of thing.

William died in 1998. Laura spent her last years quietly in the Nashville house. She did come to our kids’ weddings, Michael’s in Pennsylvania, Marie’s in Virginia. She passed in 2014.
For more than twenty years the classical record collection sat untouched. When we sold the house and moved, we packed up the box and took it along. We stacked the records in a cabinet in the living room.
I browsed through the LPs. Some are single recordings, others are series of three or four performances. The cardboard envelopes of some, Laura’s favorites, are worn and dogeared. We bought a turntable. The gorgeous sounds filled the room.
I had learned something about Laura. Somehow in her hard life of homemaking, raising six kids, and worrying about money, she let her heart soar above the small-town Southern universe of honky-tonk country and scratchy gospel pieties, to love the rhythm and resonance of the world’s greatest music. It was, in that way, Laura’s music.







