November 9, 2026
We made it to the Biltmore Estate in Asheville after years of avoiding it. Of course it’s a major stop on the regional tourist circuit. The drive from Greenville was a little over an hour. We wandered through the garden and the botanical explosion of domestic and exotic plants in the Conservatory. We stood in line with our tickets to get into the house.
It was Election Day, but otherwise any other day at the place. The crowd’s focus was on wandering the property and staring at the house furnishings. We chatted with folks from Illinois, Florida, New York.

The centerpiece of Biltmore is the Versailles-like house (179,000 sq. ft., 250 rooms) built by George Washington Vanderbilt II, grandson of “Commodore” Cornelius Vanderbilt, who created the Vanderbilt fortune, estimated in today’s dollars at close to $3 billion.
The Commodore, who started his business career as a teenager piloting a boat carrying passengers from Staten Island to Manhattan, left a legacy as a ruthless, grasping, albeit visionary tycoon. George’s father was the Commodore’s son William Henry Vanderbilt, who followed his father in the railroad business and, it’s said, doubled the family fortune.
George was a different sort. Instead of investing in productive businesses, he spent his inheritance building Biltmore, competing with elder brother Cornelius, who built the nearly-as-extravagant Breakers estate (138,000 sq. ft.) in Newport, Rhode Island. In 1888 he bought 125,000 acres of North Carolina wilderness. Most of the land was eventually sold. The entire estate now encompasses roughly 8,000 acres, some sources say 8,600.
Construction of the house called on 1,000 laborers and 60 or 70 stonemasons. Vanderbilt went to Europe to purchase furniture, carpeting, tapestries, artwork and ornaments, much of it antique. The house, covering four acres, was completed in 1895.
Vanderbilt lived there, puttering in experiments in horticulture and animal breeding. In 1898 he married his wife Edith. They had a daughter, Cornelia, who was born at Biltmore.
We drove about three miles from the street entrance to the parking lot, then boarded a shuttle bus to the main campus. The driver said 3,700 visitors were expected that day. We headed first to the gardens and paused to take in the spectacular view of North Carolina’s western mountains, majestic in fall colors.

Near the Conservatory a team of gardeners were uprooting still-blooming chrysanthemums to make space for other things, I guessed a Christmas display.
We toured the Conservatory then walked to the house. The line for entry stretched about three hundred feet. A guy in a three-piece suit scanned our tickets and another staff person handed us an audio device with a keypad. Pressing a number corresponding to a room starts a musical background to introduce a two- or three-minute spiel in a warm female voice describing the space, the furnishings, the artwork. You move on to the next room, press the next number.
The first room was a wide, sunken foyer filled with giant plants. We looked it over and walked through a massive dining area accommodating a nearly-room length table and perhaps 30 chairs. We stared at sitting rooms stuffed with gigantic chairs and sofas, then a library fitted with ceiling-level shelves housing 65,000 volumes.
A portrait of white-haired Cornelius Vanderbilt hung above a ten-foot-high fireplace. He stared down, glowering, as if registering disgust at the spectacle his wealth had created.
We slogged up dozens of concrete steps that curved to the second floor, where we glimpsed a couple of bedrooms separated by a long study filled with furniture and with large desk where, the audio guide told us, George, Edith, and the property manager discussed estate business and planned events. “As was common at the time, the husband and wife occupied separate bedrooms,” the audio voice chirped.
Still on the second floor, we watched a video that offered shots of bedrooms, several furnished with canopied beds, most surprisingly modest yet surrounded, again, by clusters of ornate furniture. In one room we noted a painting of Vanderbilt daughter Cornelia as a young girl, set off by portraits of two unidentified, unsmiling men.
The crowd wandered through the spaces, most holding their audio devices to their ears. I put mine in my pocket, then left it in a box in the video room. Sandy and I skipped the stairs and took a creaking elevator, operated by a senior citizen in a uniform, to the main floor and left. We sat for a while on a bench.
The crowded hustled through a café and souvenir shop. Shoppers browsed through teeshirts, sweatshirts, jackets, jewelry, blankets, Christmas tree ornaments, and other knickknacks labeled “Biltmore.” Samples of Biltmore wine were available in thimble-sized paper cups. I tried the pumpkin cider.

We moved on to the Antler Hill Village, site of several restaurants, the Biltmore Winery, and Inn at Biltmore. We were hungry, but the restaurants were closed. A food truck sold sandwiches.
We headed to the parking lot, tired after the visual onslaught of house-sized rooms crammed with stuffed furniture, massive doors, drapes, chandeliers, jungle-sized plants, giant portraits of Vanderbilts.
The Vanderbilts hosted a continuing parade of prominent people and celebrities. The novelist and designer Edith Wharton, critiquing Breakers and other monuments to wealth in Newport wrote, “I wish the Vanderbilts didn’t retard culture so very thoroughly. They are entrenched in a sort of Thermopylae of bad taste, from which apparently no force on earth can dislodge them.” Yet she called Biltmore a “divine landscape.”
I thought of photos I’ve seen of Trump’s Oval Office. I imagined Elon Musk’s house, which of course I’ve never seen. George Vanderbilt and his crew outdid them both. I thought of all the money spent on Biltmore, a monument to that stretch of American history defined by the euphemism, “Gilded Age.”
It was getting dark. We jumped on the winding four-mile woodland road out of the place, fought through local traffic to I-26, and headed home.








