October 12, 2020
Past and future collide in strange ways if we let them. We find that what we think of as the present doesn’t really exist. Every experience, as soon as we reflect on it, suddenly is the past, transformed into memory. We treasure them all, or at least try to learn from them. Then we move on.
I looked back Saturday to losing my left kidney just a year ago, and the following five days in a hospital bed. Leaping forward to the days now rushing by, we’re looking at life in a two-bedroom apartment in another state.
Fall was setting in when I left the hospital, as it is right now, the weather mild, the leaves starting to color. The first week was excruciating, but slowly I got better. More weeks, then months flew by. Other things rushed in. The docs who cared for me were skilled and dedicated. Expensive, too, but that’s goes with the terrain. It was my crisis. Now the entire country is facing one. I learned about strains of cancer I had never heard of. Now we’re all learning about viruses, about epidemiology. We’ve heard the tragic stories of the last pandemic, and the ones before that. Only the most obtuse—you know who you are—now pretend it’s just like the flu and will simply disappear.
Republicans, Democrats, and independents who claim to have a pulse were electrified, in the wrong way, when Trump pulled off his mask at the top of the White House staircase last Monday. It happened, even as we wondered whether to believe our eyes. For me, it brought home the tragic, terrifying image of the autocrat in Colombian novelist Gabriel Garcia Marquez’ luminous, eloquent novel, The Autumn of the Patriarch.
Garcia Marquez, who won the Nobel for literature in 1982, wrote of the interminable rule and finally the death of an aging Latin-Caribbean dictator. His flamboyant, passionate, poignant paragraphs describe the social and political decline, poverty, and despair inflicted by a tinhorn authoritarian on his nation. Garcia Marquez borrowed from the lives of such Latin autocrats as Franco of Spain, Trujillo (Dominican Republic), Gustavo Rojas Pinella of his own country, Porfirio Diaz of Mexico, others.
The Latin association is familiar for Americans; most recently, Pinochet in Chile, Somoza and Ortega in Nicaragua, Garcia and Efrain Montt in Guatemala, now Maduro in Venezuela. Non-Latins would be the big three: Putin, Xi Jinping, Kim Jong Un. Then, in his own mind, Trump.
Garcia Marquez drew his readers into dreams, fantasy, magic as he created the world of the old dictator and those he ruled. Right now America seems a bizarre place, a world of dreams and nightmares. We open the newspaper each morning braced for shock or some prurient, lowbrow comedy. Then we remind ourselves we really are in the autumn of someone holding high office who inspires us with wonder, the wonder of witnessing the unreal. It will end, either in three months or four years. What will be left?
Meanwhile, like everyone else, we’re battling, amidst the pandemic and the election frenzy, to stay anchored in the real world. I’m still cleaning up the place for the new owners. Last weekend I dragged everything out of the toolshed, scrubbed the walls, and primed and painted the floor. I hauled my nearly-new lawn mower and a box of tools to Habitat for Humanity, and another box of our daughters’ more-than thirty-year-old little-girl clothes to the Red Cross (why did we still have them?) We uncovered still more boxes of our kids’ grade-school papers, report cards, swim team trophies. I repainted the edges of the kitchen cabinets with semi-gloss paint, covering the flat latex I had tried to get away with.

The new owners came by to take window measurements, we introduced ourselves and had a nice visit. A friend helped me haul away an old sofa and box spring. We bought insurance for the apartment we’ve rented for six months and transferred our health insurance. We hauled boxes from the basement to what used to be the dining room and hired a moving truck. Furniture and boxes now are staged near the front door, but we’re still consolidating the inventory. We’re pushing forward to wrap up our lives here.
Yet, as if postponing the inevitable, I keep doing some of the things I’ve done for years. I worked my regular shift at the Holy Family food pantry—30 clients in under two hours, the typical lineup. The unfortunate, the unemployed, the sick empty the shelves, the way it is at food pantries every day, everywhere, underlining the real state of the country.
But the inevitable is coming. We stare at the stacked boxes and indulge in our own wonder: three weeks left here. The past week has been cool and clear, as that gentle fall crispness creeps into Virginia. It’s the weather that coaxes those brilliant blooms from the chrysanthemums and makes the begonias and impatiens, with a little rain, explode in red, pink, and white. The new owners told us the flowers helped clinch the deal for them. I’m happy about that, I’m sure I am.
The bigger story, we remind ourselves, will be in just over three weeks. Unless the mailed-in ballots make things complicated, the country’s course may be recharted. The timeless Garcia Marquez allegory will resonate again. For those of us who have seen it before, the future will rush past with a flash of wisdom or regret then, as always, recede into the past.




