November 4, 2024
Around a half-million people voted at the first opportunity in South Carolina two weeks ago. At Greenville Tech folks waited 40 minutes to get into the polling place in order to avoid going on Election Day. It was a weekday, most of the voters were oldsters. We heard no political talk. No need for it, the state will go lockstep Republican.
The next day I drove past Tech. The lines of voters wound around the parking lot into the building, cars were backed up along the driveway. Democrat Kathryn Harvey is running for Congress against the incumbent, Republican William Timmons. Harvey has run TV ads. Timmons doesn’t see the need.
From 2008 to 2020 in Northern Virginia, Election Day was ten hours of tension. In 2008 we stood in line in the early morning darkness and freezing rain. Political signs were stuck in the lawn along the sidewalk into the polling place, a Baptist church. Under their umbrellas voters waited and argued, McCain versus Obama.
It was the same in 2012, 2016, 2020. Political energy flowed in the Old Dominion. In 2020 we voted early for the first time. The crowd surged, excited and loud. We waited two hours. Biden won the state with 54 percent of the vote to Trump’s 44 percent.
Last week two Harris-Walz signs appeared on a front lawn nearby, then a third behind a chain-link fence in a low-income neighborhood. Trump signs are scattered. On a rural road I spied a Confederate flag with a Trump banner stitched to it. But the signs you see are mainly for candidates for state senate, local supervisors, and sheriff, all Republicans, nearly all unopposed.
Meanwhile, across the street from our house a neighbor has finished cutting away two fallen trees and piled the stumps and branches six feet high along the curb. Most streets are lined with tree-trunk and shrubbery remains, along with the crumpled sticks of broken fences. Roofs are caved in.

Still, schools are back in session, first-term report cards handed out. Kids’ soccer leagues are playing. Nearby state parks are reopening. The YMCA lobby is lined with stacks of bottled water, quilts, tarps, and canned goods to be delivered to devastated western North Carolina. Local men are gathering at churches to carpool to the mountains to clear blowdowns.
We may be led in other directions. Over two weekends the city put on festivals along Main Street where vendors offer their artwork, crafts, and so on. A local guy displayed his canvases. He had tried for the look of French Impressionism, paying homage to Claude Monet with a seascape, the canvas maybe three feet square. He had worked to capture Monet’s attention to light, his extravagant colors.
In the second half of the 19th century the Impressionists painted the richness of life: nature, peasants and aristocrats in ordinary moments, dancers, couples in love, the sea, meadows and forests flamboyant with color, dappled in sunlight, azure and darkened skies, cities, villages. They painted the world. Today they lift us above the darkness of today’s political frenzy: the crudeness, the timidity, the hypocrisy, the lies and threats, the hollow promises, the glibness and contrived sincerity.

Then too, they transport us at this moment away from the ravages of nature in this corner of the country: shattered trees still blocking roads, crushed houses, washed-out roads, reality of loss, nightmares of shattered dreams, anger, acrimony, despair.
The term “Impressionist” was adopted by a group of French artists, Monet, Degas, Renoir, Cezanne, Manet, Pissarro, Sisley and 24 others when they exhibited their work together in Paris in April 1874. Their work was blasted by critics. Monet’s Impression, Soleil Levant, his portrait of the Le Havre harbor bathed in mist, gave the movement its name, as it captured the theme: everyday life in its variety, grace, and pathos.
(Right now Washington’s National Gallery of Art, the Musee d’Orsay, and the Musee de l’Orangerie are collaborating in presenting “Inventing Impressionism” at the National Gallery. The exhibit runs through January 20. Reservations are required.)
The Impressionists were prolific. They painted and painted, portraits, landscapes, people sitting in bars and cafes, beautiful women, capturing the sublime textures and lavish colors of the world. The local artist who showed his work at the street booth understood as best he could what he was doing, seeking to replicate the subtlety of Monet, while knowing he fell short.
After browsing at the artist’s booth we moved on down the street, looking at the jewelry, pottery, homemade quilts, and clothing without much interest. The crowd flowed along, women examining the offerings, some purchasing items, chatting with the vendors, all happy to be out in the sunshine. Lines formed at the food trucks and beer booths. Folks munched sandwiches on shady benches.

The scene of bustling humanity, the bright summer shirts, sundresses, and funny hats reminded me again of Monet and the Impressionists. The vividness of local life unfolded before us in variety, joy, even mystery. The savagery of the election season and the hurricane recovery are behind us. We can take pleasure again in our humanity, and our ordinariness.
We ducked into a coffee shop and sipped an Americano. The place was packed with festival visitors resting their aching legs. Servers rushed about, taking orders, serving snacks, coffee, beer, wine. Folks at a nearby table shared laughter and raised glasses in toasts. I looked around, enjoying the raucous goodness of the place and the people. Monet should see this, I thought.






