April 15, 2024
In Taylors, S.C., not far from our place outside Greenville, is an old neighborhood called Southern Bleachery Mill Village. We learned it was built to accommodate employees of the Southern Bleachery, a textile processing mill built in 1924, 100 years ago.
The mill was the largest employer in Taylors until it closed in 1965. A historic marker on Mill Street notes that the mill’s “overseers” lived in eight large houses on a hill called “Boss Hill.” The neighborhood, near the center of town, is still there, but the plant now is an industrial relic, an old brick hulk in a collection of old brick hulks.
The sounds of textile processing no longer echo through the village. An airy, plant-filled coffee bar, where customers sit unbothered and tap on laptops, occupies a couple of hundred square feet of the ground-level space. A fundamentalist church called the Studio is at the far end.
The Bleachery building is just off Mill Street, which is lined by other old factory buildings, some in use, some sitting empty. Farther down the block are three more aged industrial sites, branded Print Works No. 1, Print Works No. 2, and Print Works No.3, facing each other across a parking lot. The Print Works buildings now are occupied by an events space called The Venue, a brewery, a restaurant, an electronic-games arcade, an ax-throwing business, a couple of others.

These enterprises are a local slice of the new business culture that grasps at the strangely romantic appeal of America’s long-ago roaring industrial economy and grafts it onto other ways of making money. Those ponderous brick structures that once housed massive weaving and stamping machinery and emitted deafening noise and choking fumes now are space for software developers, market researchers, and meeting planners. The hawking of professional services has replaced the manufacture of goods.
This isn’t new and it’s going on all over. More than a century ago the mile-long mills of Manchester and Nashua, N.H., Lowell and Lawrence, Mass., and other New England textile towns were abandoned when the owners moved South looking for cheap non-union labor. Eventually the industry, including the dozens of mills in nearby Greenville moved to still-cheaper Southeast Asia. The mill structures are now expensive offices, condos, and apartments.

The massive steel and coke mills of Pittsburgh and its environs, which emitted cancer-causing smog that coated buildings and turned the sky red, have been replaced by health-care institutions, universities, and high-tech businesses.
Relentless technology breakthroughs and economic reality pushed all this change. When I got out of the service I took a job in a small typesetting plant in Hartford. The person who hired me warned that I wouldn’t like it. The place, which still used obsolescent monotype machinery, was on its last legs. A couple dozen employees remained, subdued and sullen and waiting to be laid off. I left just before the place shut down, doomed by modern high-speed typography.
In 1977 I drove from Nashville to Sweetwater, Tenn., site of the Lost Sea, America’s largest underground lake and a big tourist attraction. I was on a work trip to visit Sweetwater Hosiery Mills, a still-surviving textile operation that made mainly socks. The plant used an assembly line on which about a dozen women fitted newly knit socks on wooden forms to stretch the wool. The socks then were picked off the forms and packaged by other people. That was their job, at the minimum wage, all day long.
Years later we drove through Sweetwater. I detoured from the tourist-centered downtown to pass the site of the mill, then abandoned and boarded up. The socks business, like all such businesses, went overseas.
Back in Taylors at Southern Bleachery, the parking lots are generally filled on weekends by patrons of the brewery, restaurant, and other businesses. The Venue often hosts weddings. A Crossfit gym and a baseball practice space share a building on the opposite side of Mill Street. I guessed the rent for that off-the-beaten-track spot is cheaper than for space in a shiny new building on a major city street.
One side of the Bleachery building is decorated with a graphic quoting novelist, poet, and Black activist Alice Walker: “The most common way people give up their power is by thinking they don’t have any.” Walker won the Pulitzer Prize for The Color Purple in 1982 and the National Book Award in 1983. She has been widely acclaimed for her civil rights advocacy, but also criticized as anti-Semitic for her praise for anti-Semitic figures and writings and her attacks on Judaism.

The graphic was painted by a group called AlliedInArt, which describes itself as “a series of actions designed to harness the arts as a force for unity and positivity. From posters to films to murals, this project is a reminder that thought, creativity, love, and beauty will always prevail.” A marketing company, EP + Company, supported the project. The graphic further credits Adrian Meadow, who’s with EP, and Frankie Zombie, a local artist.
The graphic adds color to the dull brick, but the sentiment puzzles me. I didn’t, and still don’t grasp the connection to thought, creativity, love, and beauty. Walker being the source, it promotes Black political and social activism. But it seems out of context for the site, the wall of a building which some folks are working hard to bring back to life. But to AlliedInArt the site probably didn’t matter.
We see political sloganeering everywhere; in the South it’s generally Republican-oriented, here and there a Confederate flag. The Walker quote is a departure. The Color Purple was well-received by some literary critics, but not all. (Walker refused to allow the book to be published in Hebrew or the film to be released in Israel.)
That oddity aside, the whole site doesn’t require much more exploration. Beyond the Bleachery businesses in the Print buildings, Mill Street dead-ends in a parking lot bordered by woodland and a swamp on one side, more abandoned mill buildings on the other. They wait, no doubt, for more enterprising folks to think up bright new ideas to turn them into something else.
Moving on from the Bleachery complex and a couple of miles up Main Street you encounter Wade Hampton Boulevard, a more typical suburban thoroughfare. It’s lined with fast food outlets, gas stations, quick-oil-change places, Wal-Marts, cellphone-repair stores, the usual array of boxy, neon-lit businesses that benefit from no zoning.
Wade Hampton runs north to Spartanburg and south into downtown Greenville, the retail gauntlet becoming more intense, more demanding of your dollars with every mile. Either way, you want to turn back to the Bleachery, poke about the old places, read the historical markers, maybe sit for a while in the coffee bar. With your laptop.









