January 26, 2026
It was our time to go to Angkor Wat. We left Siem Reap for the site in predawn chill, carrying flashlights. The bus carried us within a mile of this ancient place. We hiked a rocky path, stepping gently in silence through the darkness. For a short few hours we left behind the bitter coarseness of our time.

Cambodia, like most of Southeast Asia is a land of Buddha. His image, and the gold spires and sharp gables of his temples preside over every village, town, market. He stares benignly from public buildings and private homes. He calls his people to sacrifice, to meditate, to find wisdom in his divinity, in his way.
Moving northwest through the central plain from Phnom Penh, the forests become thicker. Mountains emerge along the Thai border. In the province of Siem Reap the devotion to the Buddhist pantheon becomes more intense. To the east of a wide lake called Tonle Sap, through which the Mekong River passes, is the land of Angkor. Here, the temples of Angkor Wat, Ta Prohm, and Angkor Thom form the nexus, the center of the Buddhist soul.
The Angkor sites celebrate belief, faith in the continuum of life. Around every massive sandstone corner, serene images of gods and goddesses gaze at each other and at men, women, elephants, snakes, monkeys and other creatures. Angry demons scowl and snarl.

The Hindu king Suryavarman II started construction of Angkor Wat in 1132 as an earthly home for the Hindu god Vishnu. Suryavarman died around 1150. Three decades later a Buddhist, Jayavarman VII, led a Buddhist revolution. He captured the temple and converted it to devotion to Buddhism, although he permitted Hindus to preserve their shrines.
For Cambodians Angkor Wat (“temple city”) is the national symbol, the centerpiece of the nation’s flag. Unlike other Buddhist temples, Angkor Wat is oriented to the west which, some archeologists say, shows that Suryavarman planned it as his mausoleum.
Five massive towers rise to three levels and enclose a series of galleries. We learned that the walls of three galleries display Vishnu’s three cosmic eras. One gallery is devoted to the human world, another to heaven and hell. The site, surrounded by a moat, occupies more than 400 acres, with the temple complex at the center. Nearby are six “libraries” which experts believe were used to house documents.
Our guide, Ting, a young man of vast expertise, pointed out that carvings on the walls show the four stages of the Buddhist mind: compassion, joy, love, equanimity.

The Ta Prohm temple, originally called Rajavihara, meaning “royal monastery” and Angkor Thom, or “great city” sites are close by, within a couple of miles, complementing and reinforcing the intensity of Buddhist devotion. Many of the Ta Prohm towers emerge from massive, octopuslike roots of gigantic trees that grew beneath them hundreds of years ago.

Angkor Thom, once called Nokor Thom, is thought to have been Jayavarman’s capital. The temple space is roughly two miles wide (Angkor Wat’s area is one mile), and is enclosed within a 30-foot-high wall. Archeologists believe that more than 100,000 people once lived inside. Inscriptions reveal that some 4,000 elephants were used to drag the giant stones from quarries 30 or more miles away.
The Angkor Thom complex includes Bayan, Phimeanakas, and Magalartha temples. The Bayan is a Mahayana Buddhist temple, reflecting the faith of Jayavarman VII. The Bayan, according to the information offered, gives “material support to the energies of the kingdom.”
The walls of Angkor Thom are engraved with thousands of exquisitely chiseled human figures that tell the story of the Angkor kingdom. Cambodian and Chinese soldiers are engaged in combat. Men, women, and children are depicted in every aspect of life: working, fighting, entertaining, eating, caring for others. The images show men fishing for carp as long as a canoe. A crocodile devours a man fallen from a boat.

We found one etching of a woman in childbirth being coached by a midwife. Another woman is apparently primping, gazing at her own image in what looks like a mirror while another arranges her hair. Women in flamboyant costumes and headdresses perform the traditional Apsara ceremonial dances.
Over days, we walked the Angkor causeways and paths, across the broad courtyards and stepped around the massive blocks that over time slipped from the towers. We looked up, wondering, at the four faces carved in the gate towers at Angkor Thom. At Angkor Wat we moved deliberately through dark chambers. We climbed the stairwell built for tourists and wandered across the broad porticos on the third level.
Sometime around 1600 the Angkor area was attacked by Thai invaders. The capital at Angkor Thom was moved to Phnom Penh. Wars were fought, armies came and went. The name “Siem Reap” marks the victory of the Khmer nation over Siam. Europeans discovered the site, explorers visited, awed by its breadth and beauty, created through the sheer power of religion, devotion to the sublime mysteries of the Buddhist faith.
By mid-morning hundreds of visitors thronged across the site, awestruck by the vastness, the silence, the absolute, implacable permanence of the place. They lined up to climb to the third level, many glancing backward nervously. Looking west, sunlight dazzled the forest out to the horizon. Here, we imagined, is where the monks of 12th century gathered with King Jayavarman and his people to seek Buddha’s blessings.
Fourteen centuries passed until we arrived, armed with our brochures, cell-phone cameras, our audio devices and admission passes around our necks, knees respectfully covered. We noted the scaffolding installed here and there for restoration work. A monk sitting near a column conveyed a blessing on a man kneeling, head bowed.
We caught our breath in wonder at the sense of immortality, of abiding beneficence and goodness of this place. We descended to the temple floor, then made our way back to our own time, our own world.












