September 25, 2023
I nursed a double expresso in the back room of a café in Notting Hill, one of London’s more eclectic, artsy neighborhoods. Sandy had cold chocolate. Outside, the crowds of tourists flowed by, gawking, browsing at the shops, aiming cell phone cameras.
My head buzzed from the caffeine, but also from the tourist grind. We followed directions for the London Underground to Buckingham Palace. There too, a massive crowd swelled, people pressed against the railing to get a glimpse of the place and the red-jacketed sentries of the King’s Guard walking their posts.
We had marched forward the previous day, transitioning from Galway to Dublin to London via three hours on long-distance rail, then urban taxi and low-rent commuter airline to a local train to a hotel in East London’s Stratford neighborhood. The area is the site of London’s 2012 Olympic stadium and a train and bus hub. Not much else.

The airport-to city train sped from Stansted airport through London’s rural outskirts of wide green meadows and forest, then breached the industrial and residential suburbs. We changed trains inside the city at Tottenham Hale, where the skyscrapers start to show.
London is a monster of a city apart from the tourist-magnet sites of palaces, the Tower Bridge, Parliament, Big Ben, Westminster Abbey. During the workweek the population swells from eight million to 12 million. It was, after all, the heart of an empire.
Notting Hill made our list of places to see in London. We guessed everyone in the crowd had seen the 1999 movie with Julia Roberts and Hugh Grant. The romance of the movie emerges, somehow, from the gentle eccentricity of the place: the well-kept, whitewashed rowhouses along Portobello Road, the cramped antique and clothing shops, confectioners, and booksellers, among others. Fans of the movie look for the fictional Travel Book Shop.
Getting there meant navigating the spiderweb of London’s Underground. We made the transfer from Green Park to Notting Hill Gate, patting ourselves on the back for that.
Our plan was to meet later that afternoon with Josh, daughter Laura’s friend, a brilliant artist and engineer, in the Hackney neighborhood, miles across the city. At the Notting Hill stop we lost the cellphone connectivity, meaning no navigation help. On a corner bench we fiddled futilely with the phones, then gave up and jumped in a cab. Thirty minutes later, stuck in traffic gridlock with the meter at 30 pounds (about $37.00), we paid and said so long to the driver.
At the nearest Underground station an employee patiently tracked our destination on her Ipad then explained that track repairs meant no train. “The bus is best,” she advised, and pointed to one across the street. We ran, but it pulled away. When the next bus arrived I had forgotten the stop. A kind fellow passenger helped. We got off near Hackney and hiked to 195 Mare Street.
Here we stepped off our tourist track. The address is the site of a brick house built in 1697, an enormous three-level structure in what then was a center for cultivation of exotic plants called the Loddiges Nursery. Over the centuries the place was owned by charitable and civic groups. A local family recently purchased it as a home and a gallery of local art, calling it simply “195 Mare Street.” Josh has shown several of his pieces at the gallery.

The family commissioned a Brazilian artist, Thiago Mazza, to create a three-story high mural on the wall of an adjacent building. The occasion was the unveiling. At around 6 PM local folks began arriving, artists and art lovers, old and young, longtime neighbors and newcomers. Josh circulated, greeting friends and fellow artists As South Carolina suburbs people, we didn’t quite fit this crowd. But we said hello and shook hands. It was unique, different. It was fun.
The mural was covered by a three-story black drape. The crowd edged forward. The owner talked about the mural as a celebration of “plant power,” in Hackney as long as 300 years ago, when it was a rural outpost of London. She introduced Mazza, who said a few words and thanked his assistants.
We learned how he created the mural over weeks of standing on a scaffold under the summer sun, repairing damage caused by heavy rains.
The black drape dropped away, the gorgeous colors leaped out at the crowd, who oohed and aahed and applauded. We stared in awe at the pastel beauty of the work, the intricate detail, the rich bold strokes that filled the length of the worn brick surface. The artist’s mastery of color and shading explode across the otherwise blandness of Mare Street, a place that first-time visitors like us would guess had seen better days.
We did our best to mingle. Josh introduced us to a friend, Sharon, who has supported his work, and to fellow artists. One of the hosts explained that artists have brought their work for display, open to the public, even while the new owners are renovating, essentially rebuilding the place. We joined the crowd of authentic art lovers greeting the artists and studying the art mounted on the unfinished walls.

Later we had dinner with Josh and Sharon in the glittering Hackney restaurant district. Tables everywhere were full of young people enjoying the throbbing party scene, London’s carefree weekend night, reminiscent of New York’s Greenwich Village or Tribeca. They guided us to the right bus, which poked along dark city streets, delivering us to the hotel way later than we’re used to being out.
We finished off the London stop Sunday with a hike through the white-shoe end of town: Russell Square, Piccadilly, Whitehall, St. James, Westminster.
The real world intruded suddenly on the dream world: Ukrainian refugees and supporters demonstrated along Horse Guards Road near the prime minister’s residence on Downing Street, reminding the Western allies of their moral obligation to stand against the Russian killers. A young Ukrainian girl sang a mournful, lovely ballad, her lilting tones lifting the spirits of her countrymen, and all who passed by.







